About: Santa Maria

work:11c4e846-2039-40e6-8c27-d524dfb1cf59
Property Value
IDwork:11c4e846-2039-40e6-8c27-d524dfb1cf59
@typevad:VisualArtForms, vad:Watercolor, skos:Concept, vad:VisualArts, vad:Medium, vad:Painting, vad:CreativeWork, vad:Art, vad:ArtRealization, rdfs:Resource
copyrightNoticecopyright © 2026 Rick Spates. All Rights Reserved.
dateCreated2026-01-08T15:37:35
datePublished2026-01-08T15:37:35
descriptionThe Basilica di Santa Maria della Salute as seen from the Grand Canal.
hasArtistProfileWatercolor materials profile
hasPaperthe:StrathmoreWatercolorColdPressBlock
height12
identifier11c4e846-2039-40e6-8c27-d524dfb1cf59
image
labelSanta Maria
licensework:CC-4-0
locationVenice, Italy
mediaWatercolor
note"The dome on the basilica was the inspiration for this watercolor
qrcode
tagSanta Maria Criticism 2, Santa Maria Notes, Santa Maria Criticism 1
width9
workOnSitehttp://rickspates.art
Tags
Property Value
tagwork:6b8c3d25-2a2b-4fee-86b4-67d62c41ae70
labelSanta Maria Criticism 1
descriptionArt criticism by claude.ai
tagthe:SantaMaria_20250918
labelSanta Maria Notes
descriptionCerulean sky
Maybe Viridian water, at least in part.
Shaded dome 2CG2
Sunlet Dome 2 CG four.
Burnt sienna roof tiles.
Sunlit building surface white.
Need a light cool gray for building in shade.


Santa Maria della Salute (English: Saint Mary of Health; Venetian: Bazéłega de Santa Maria de ła Sałute), commonly known simply as La Salute (Italian: [la saˈluːte]), is a Roman Catholic church and minor basilica located at the Punta della Dogana in the Dorsoduro sestiere of the city of Venice, Italy.


Three color black has a Cousin. The same components when applied as super thin individual washes looks white. Adjacent washes

Cerulean sky
Maybe Veridian water, at least in part.
Shaded dome 2CG2
Sunlit Dome pattern of adjacent super thin washes of cd yellow ultramarine and aliz crim
Burnt sienna roof tiles.
Sunlit building surface white.
Need a light cool gray for building in shade.

Fórcola (Venetian dialect, plural Fórcole) is the typical Venetian rowlock providing a variety of fulcrum positions, each having its own effect on the rower's oar.[1]
the gondolier likely uses the highest notch or position on the forcola when at the stern (the traditional gondolier position) for the primary forward propulsion stroke, as this position provides the necessary leverage for a powerful, full-body push, which is essential for moving efficiently in open water.


Final notes,
the left tower needs modeling on the cylinder below the dome
The forcula need to be b umber
Add dark modeling to features on the Salute's façade
Darken the side buildings to recede more UB wash light
Fix the small dome
Lighten up the tile roof
tagwork:e62b67d3-3a9a-486d-934d-52022582011d
labelSanta Maria Criticism 2
descriptionArt criticism for Santa Maria by chatgpt

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