| Property | Value |
|---|---|
| ID | work:fb2ddcf2-1788-4191-940f-92fcdecedcb5 |
| @type | rdfs:Resource, skos:Concept, owl:Thing, the:Entity, the:Study |
| datePublished | 2025-10-09 |
| dbpedia | https://dbpedia.org/page/Tensegrity |
| definition | The Tension Series explores the intersection of human form and structural geometry, translating the principles of tensegrity into expressive sculptural compositions. Each work stages a dynamic equilibrium between cooperation and instability--figures interlocked within frameworks that both support and constrain them. Through mirrored, faceted surfaces and mathematically derived architectures, the series examines how balance, connection, and strain coexist in physical and social systems. These sculptures occupy the threshold between the mechanical and the organic, revealing tension itself as both a structural condition and a metaphor for human interdependence. |
| inScheme | the:entities |
| keywords | tensegrity tension compression figurative |
| label | Tension Series |
| media | Sculpture, Digital |
| scopeNote | This study captures an artistic journey exploring merging figurative sculpture with tensegrity structures. |
| tag | Compression Notes, Tensegrity Prism Chirality Aesthetics, Tension T3 Installation, Tension Series Collection, Tensegrity Prism Chirality Physics, Tensegrity Toroid, Tensegrity Motif Notes, Network-Art Aesthetic |
| wikipedia | https://en.wikipedia.org/wiki/Tensegrity |
| Property | Value |
|---|---|
| tag | work:f9c7ffc2-947e-469e-a9c9-518c4498f714 |
| label | Tensegrity Prism Chirality Physics |
| description | What are the physical limits of self-stressed tensegrity systems. |
| tag | work:89e2d4ea-6b35-4de3-a2f0-132f8588009e |
| label | Tension T3 Installation |
| description | A deep dive into the details of site prep and sculpture installation. |
| tag | work:83c96f42-77f5-4203-abf2-77a47d8ea5c3 |
| label | Tensegrity Prism Chirality Aesthetics |
| description | In an aesthetic sense, do you see any difference between right-handedness vs left-handedness in chirality? I ask because in art history interpretations, paintings convey different emotions to the viewer depending on the left or right position of elements.
|
| tag | work:53bfd31d-23ed-460f-b7f4-61affe535e61 |
| label | Network-Art Aesthetic |
| description | A network-art aesthetic--figures as embodied compression struts, nodes as informational hubs, cables as the invisible flows between people. |
| tag | work:d98ef6a7-a5aa-42f1-8cfe-4fb7538d873d |
| label | Tension Series Collection |
| description | The Tension series explores the paradox between structure and fragility through virtual sculptures modeled on tensegrity geometries. Each work fuses human figures in compression with networks of tensile connection, forming dynamic equilibria that hover between motion and collapse. Rendered as luminous 3D forms and experienced interactively in "model-viewer," the sculptures respond to shifting environments and light--each background panorama revealing new tonalities of reflection and balance. By situating these digital constructs in variable natural and urban contexts, the series transforms engineering into metaphor: human interdependence, emotional strain, and the delicate architectures that hold us together. In Tension, equilibrium is never static--it is lived, luminous, and perpetually on the edge of release. |
| tag | the:TensegrityMotif_20250513 |
| label | Tensegrity Motif Notes |
| description | 'Tension T3' is a metaphor for human lives existing in a network. The structure is a T3 tensegrity prism. The female figures are the compression members of the structure interacting with their respective nodes in the network to keep the cables or tension members taut. One interpretation is woman's struggle to maintain the integrity of the system. This requires cooperation, perseverance and strength. Another interpretation is people's connections and how their actions impact other members of the network. A change to one component can cascade through the network affecting others, even the initiator of the action. Yet one more interpretation is a commentary on the internet and social media, the T3 with figures as a fragment of a broader virtual network. As the piece finds resonance with viewers more interpretations could emerge. A note on the abstraction of the figures. They are indistinct in their features for universal appeal. They show the muscular anatomy of the human body, not the skin. Muscle anatomy, not in a clinical sense, but in an expressive sense, the shape, form and movement of muscles in the context of physical endeavor, offers a rich artistic element. All of the muscles working together and the resulting body positions can be sublime. The muscle anatomy in this context is a human vehicle, more about motion, where the skin is more about containment. There is the question about looking like tensegrity and being tensegrity. If rigid, just looking like tensegrity, this may help with installation. Eliminating movement in the piece is perhaps easier to install. If true tensegrity, harder engineering, the piece is always in flex, absorbing strain as a unit. This can complicate installation. The physics of tensegrity do not rely on gravity to maintain system integrity, just compression and tension. Gravity acts on the system, perhaps perturbing it ever so slightly, but the system retains the same basic structure with or without gravity. Hence, these tensegrity system sculptures do not necessarily have an up and a down. The figures and network exist in space. T3 Tension has a familiar upright orientation, but it could be lying on its side and still make sense, though perhaps not as effectively. And if it were upside down, perhaps such a jarring vision could evoke an intended response in the viewer. As a template for future tensegrity sculptures, there should be no restriction on figure or sculpture orientation. The fundamental "rules" are: continuous tension, discontinuous compression, and stable equilibrium. The tension network holds the compressed elements in place, creating a self-stressing system where the elements are in a state of tension and compression that is stable. Key Principles of Tensegrity Continuous Tension: . A network of tensioned elements (like strings or cables) is essential, forming the structural "skin" of the system and holding it together. Discontinuous Compression: . The compression members (like bars or struts) are isolated within the tension network. They are arranged so they do not touch each other, but are held apart by the surrounding tensile elements. Stable Equilibrium: . The structure must be in a state of stable equilibrium. This means that the forces of tension and compression are precisely balanced, preventing the structure from collapsing or deforming into an unstable shape. Floating Compression: . The compressive members are held in place by the tension elements, effectively "floating" within the tensile network. Prestress: . To achieve stability and stiffness, a tensegrity structure relies on a state of "prestress," meaning there is an initial level of tension in the system that is maintained even when no external forces are applied. In essence A tensegrity structure uses cables to keep separate bars from touching, and the tension in the cables is balanced against the compressive forces acting on the bars to create a stable, self-contained system. |
| tag | the:Compression_20250513 |
| label | Compression Notes |
| description | The concept of "compression" can be applied to people and their psychology, particularly in the context of how they process information and manage stress. 1. Psychological Capacity Stress (Compression): ProBiologists reports that individuals can experience a reduced ability to handle stressors due to overwhelming demands on their psychological resources, a phenomenon termed "psychological capacity compression." This suggests that when individuals are under too much pressure, their ability to cope with new challenges diminishes. 2. Temporal Self-Compression: PNAS reports that as people think about distant past or future selves, their perceived personality traits become less differentiated. This study suggests the brain "compresses" self-representations over time, similar to how objects in the distance appear less detailed. 3. Consciousness and Data Compression: An eScholarship paper proposes that the process of understanding oneself involves identifying a structure that compresses observations of one's own past behavior. This theory suggests that our sense of self is a simplified, compressed model of our experiences. 4. Compression and Prediction: A CEUR-WS.org paper argues that brains are highly efficient compressors of information, and this compression is crucial for making accurate predictions about the future. This implies that the brain uses compression to create a simplified understanding of the environment, which allows it to anticipate events. 5. Data Compression in Memory: ScienceDirect.com reports that chunking or grouping information in memory can be seen as a form of data compression, allowing individuals to cope with complexity and reduce the information load. This process helps the brain manage large amounts of information by reducing the amount of detail it needs to store and retrieve. 6. Time-Space Compression: ScienceDirect.com also notes that in the context of capitalism, "time-space compression" refers to the intensification of events and the acceleration of the turnover of capital, which can lead to stress and the denigration of place in society. 7. Compression Garments and Sensory Integration: The National Institutes of Health (NIH) reports that compression garments can be used as a sensory input tool, particularly for individuals with autism, and may help reduce repetitive behaviors and increase task participation. This suggests that applying physical pressure can have a calming and organizing effect on the nervous system. In essence, "compression" can be used metaphorically to describe the way people process information, manage stress, and understand their own sense of self. It also has a literal application in sensory intervention strategies like compression garments. |
| tag | work:bf0ddb32-37f3-437f-afc0-feaf476d9b8e |
| label | Tensegrity Toroid |
| description | A tensegrity toroid composed of interconnected T3 prisms units. In particular, a discussion of the interconnections between the T3 units. In fact, interconnection structure is itself a T3 prism. |
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