| Property |
Value |
| tag | work:89e2d4ea-6b35-4de3-a2f0-132f8588009e |
| label | Tension T3 Installation |
| description | A deep dive into the details of site prep and sculpture installation. |
| tag | work:f9c7ffc2-947e-469e-a9c9-518c4498f714 |
| label | Tensegrity Prism Chirality Physics |
| description | What are the physical limits of self-stressed tensegrity systems. |
| tag | work:bf0ddb32-37f3-437f-afc0-feaf476d9b8e |
| label | Tensegrity Toroid |
| description | A tensegrity toroid composed of interconnected T3 prisms units. In particular, a discussion of the interconnections between the T3 units. In fact, interconnection structure is itself a T3 prism. |
| tag | work:d98ef6a7-a5aa-42f1-8cfe-4fb7538d873d |
| label | Tension Series Collection |
| description | The Tension series explores the paradox between structure and fragility through virtual sculptures modeled on tensegrity geometries. Each work fuses human figures in compression with networks of tensile connection, forming dynamic equilibria that hover between motion and collapse. Rendered as luminous 3D forms and experienced interactively in "model-viewer," the sculptures respond to shifting environments and light--each background panorama revealing new tonalities of reflection and balance. By situating these digital constructs in variable natural and urban contexts, the series transforms engineering into metaphor: human interdependence, emotional strain, and the delicate architectures that hold us together. In Tension, equilibrium is never static--it is lived, luminous, and perpetually on the edge of release. |
| tag | work:53bfd31d-23ed-460f-b7f4-61affe535e61 |
| label | Network-Art Aesthetic |
| description | A network-art aesthetic--figures as embodied compression struts, nodes as informational hubs, cables as the invisible flows between people. |
| tag | work:83c96f42-77f5-4203-abf2-77a47d8ea5c3 |
| label | Tensegrity Prism Chirality Aesthetics |
| description | In an aesthetic sense, do you see any difference between right-handedness vs left-handedness in chirality? I ask because in art history interpretations, paintings convey different emotions to the viewer depending on the left or right position of elements.
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